It's official! We'll be doing Henry Purcell's 3-act opera Dido & Aeneas this spring. Why an opera? Normally I wouldn't make this choice, but Dido has extensive choral parts, and we also have the right people for all of the roles. We'll be performing this with period string quartet and theorbo.
A score is here: http://javanese.imslp.info/files/imglnks/usimg/1/17/IMSLP36466-PMLP05472-Purcell-Z626vsNov.pdf
You can download audio here (scroll down), but please note that the performance is a 1/2-step lower than the pitch that we'll be using: http://paulcienniwa.com/shop
Video is here: http://youtu.be/jweNnjeY-Q0 (There are better performances on YouTube, but many of them are at so-called "baroque pitch," a half-step lower. If learning from recording, be sure that the pitch is modern.)
Chuck from the bass section has indexed the video so that you can jump around by timings. To see his index, click here.
Please note that our performance will be a concert version with no staging. (Soloists may wish to act somewhat, but it won't be part of my planning.)
Roles: I've already made decisions about roles. There's much too much solo music in this opera to leave to mid-semester auditions. The two open roles (First Witch/Second Witch) will be filled be audition or covered by the doubles (see below).
Dido: Cynthia
Aeneas: Raymond
Belinda: Julianna
Sailer: Ed Sawyer
Second Women: Vanessa
Sorceress: Pat
First Witch: open
Second Witch: open
Spirit: Sadie
(Why so many women's roles? Purcell wrote the opera for a girls' school.)
First Witch and Second Witch are open to audition, and I'd rather not have those roles doubled.
Finally, witches? sorceress? Dido? Aeneas? What's this all about?! Read a synopsis here: http://en.wikipedia.org/wiki/Dido_and_Aeneas#Synopsis
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